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By Randy Adams, Steve Gibson, Stefan Müller Arisona

This quantity collects chosen papers from the earlier circumstances of electronic paintings Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), parallel gala's of electronic media artwork. The paintings represented in Transdisciplinary electronic paintings is a affirmation of the energy and breadth of the electronic arts. gathering essays that largely surround the electronic arts, Transdisciplinary electronic paintings supplies a transparent evaluate of the on-going power of medical, philosophical, aesthetic and creative examine that makes electronic artwork might be the defining medium of the twenty first Century.

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Extra info for Transdisciplinary Digital Art: Sound, Vision and the New Screen

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48 A. Dunning and P. Woodrow Developments in cultural and social theory, and in technology have suggested that it is possible to move away from a graspable, predominately corporeal world to one which is increasingly slippery, elusive and immaterial. Mind and matter, combining in the cognitive body, are interdependent. The world we inhabit is in flux, comprised of increasingly complex connections and interactions. In this world there are no fixed objects, no unchanging contexts. There are only coexistant, nested multiplicities.

This approach engages, for example, the technological fetishist, the modernist musical composer, and the nightclub DJ in discourse with one another around the central theme of an evolving political ethics. This accessibility will not aim to ‘popularize’ the music and scholarship of the musician-class, but will instead attempt to grapple with its reception. These concerns presented in this chapter, and highlighted for future research, are particularly pertinent in a time when interdisciplinary and technological artworks are becoming ubiquitous; how does a trained musician discuss a work with a trained visual artist, philosopher, computer-composer, or cultural theorist without the means to mutually explore the premises embedded in each of their analyses?

Perfomative or algorithmic parameters are setup to gather, correlate and translate unconventional sources to form the sonic map. Tuning describes a continued process of alignment. The rhizome analogizes an unpredictable multilinked generative process. The impossible graph outlines the potential of disparate coordinates. The results configure a strange formation; sound and shape that remap conditions, an alteration of place that is neither simple nor utopian. The visual or aural experience can also be seen as a kind of statistical scatter plot, a diagnostic inkblot to be interpreted by psychologist and patient alike.

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